硬糖君也不是要求古偶有多真，毕竟造梦嘛，只是觉得置景应该为剧情服务，而不是成为明星神图的背景板。即便把当下问题当成李普曼所提出的“拟态环境”，古偶也因为明显的货不对板暴露了工业流水线的敷衍。观众看到的不是能传情达意的拟像，而是布景与特效之间尴尬的缝合痕迹。
腾讯：旗下全场景AI智能体WorkBuddy正式上线。whatsapp对此有专业解读
Some musicians don’t want to accommodate to 12-TET, insisting instead that we should continue to use pure intervals derived from harmonics the way God and Pythagoras intended. Harmonics-based tuning systems are collectively known as just intonation systems. This is a poetically apt term, because it implies fairness. By contrast, the implicit message of 12-TET is that life isn’t fair. Just intonation systems give you some lovely pure intervals, but you can’t change keys unless you retune all your instruments. In other world cultures, this is not necessarily a problem. Hindustani classical music uses just intonation over an omnipresent drone, so everything is always in the same “key.”，更多细节参见手游
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